I no longer post or share personal events due to a gotdamn stalker. Anyone wanting updates can inbox me.
~ Thursday, October 2 ~
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mysoulhasgrowndeep-liketherivers:

thepoliticalfreakshow:

BREAKING: Here’s the tweet that could lead to a new grand jury in Ferguson, MO. 
#Ferguson: @shaunking took screenshot of tweeter @thesusannichols who claims to know juror on #MikeBrown #DarrenWilson grand jury & appears to be receiving leaked information. King says that within seconds of posting this, her friends told her to delete it & she did but not before it was screenshotted. She has since deleted her entire account but King says they checked & she is indeed a #STL resident w/ years’ worth of tweets from there. “If true, her tweet not only reveals a leak in the grand jury, but gives us an ugly glimpse into how things have gone so far. This person who posted it on twitter & her contact on the grand jury must be fully & completely investigated & removed if it’s true.”-@shaunking

Y’all better reblog the fuck outta this post it on facebook, twitter, IG, myspace, friendster, everything get this information out

mysoulhasgrowndeep-liketherivers:

thepoliticalfreakshow:

BREAKING: Here’s the tweet that could lead to a new grand jury in Ferguson, MO. 

#Ferguson@shaunking took screenshot of tweeter @thesusannichols who claims to know juror on #MikeBrown #DarrenWilson grand jury & appears to be receiving leaked information. King says that within seconds of posting this, her friends told her to delete it & she did but not before it was screenshotted. She has since deleted her entire account but King says they checked & she is indeed a #STL resident w/ years’ worth of tweets from there. “If true, her tweet not only reveals a leak in the grand jury, but gives us an ugly glimpse into how things have gone so far. This person who posted it on twitter & her contact on the grand jury must be fully & completely investigated & removed if it’s true.”-@shaunking

Y’all better reblog the fuck outta this post it on facebook, twitter, IG, myspace, friendster, everything get this information out


25,418 notes  ()
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the-goddamazon:

dynastylnoire:

gladi8rs:

pretty-period:

"I’m glad that Shonda Rhimes saw me and said “Why not?” That’s what makes her a visionary. That’s what makes her iconic. I think that beauty is subjective. I’ve heard that statement [less classically beautiful] my entire life. Being a dark-skinned black woman, you heard it from the womb. And “classically not beautiful” is a fancy term for saying ugly. And denouncing you. And erasing you. Now … it worked when I was younger. It no longer works for me now. It’s about teaching a culture how to treat you. Because at the end of the day, you define you.”
PERIOD!
Viola Davis Photo Credit: Derek Blanks

The bold. Totally ridiculous. Completely ridiculous but she is damned right at the end of the day, YOU define YOU, not outsiders to your life story. Self love is everything. That’s how you teach the idiot faction. Oh and shallow moment…”GIMME THE DRESS.” Gorgeous much.

LOOK AT HER KILLING EVERYTHING RIGHT NOW!

One time for the Black celebs putting “Classically Beautiful” in their Twitter bios. So here for it.

the-goddamazon:

dynastylnoire:

gladi8rs:

pretty-period:

"I’m glad that Shonda Rhimes saw me and said “Why not?” That’s what makes her a visionary. That’s what makes her iconic. I think that beauty is subjective. I’ve heard that statement [less classically beautiful] my entire life. Being a dark-skinned black woman, you heard it from the womb. And “classically not beautiful” is a fancy term for saying ugly. And denouncing you. And erasing you. Now … it worked when I was younger. It no longer works for me now. It’s about teaching a culture how to treat you. Because at the end of the day, you define you.”

PERIOD!

Viola Davis
Photo Credit: Derek Blanks

The bold. Totally ridiculous. Completely ridiculous but she is damned right at the end of the day, YOU define YOU, not outsiders to your life story. Self love is everything. That’s how you teach the idiot faction. Oh and shallow moment…”GIMME THE DRESS.” Gorgeous much.

LOOK AT HER KILLING EVERYTHING RIGHT NOW!

One time for the Black celebs putting “Classically Beautiful” in their Twitter bios. So here for it.


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deebott:

kat-ruffin:

Eartha Kitt and Josphine Baker, 1950s

Wow

deebott:

kat-ruffin:

Eartha Kitt and Josphine Baker, 1950s

Wow


3,408 notes  ()
reblogged via blueklectic
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goldbriccs:

theblackdalia:

rinads:

sharipep:

paulamaf2013:

needscandalinmylife:

blackstaraura:

char-thelove:

nikkisshadetree:

k-entertainment:

trebled-negrita-princess:

foreignblossom:

shots fired



OHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH







You better tell somebody! Shiit!!

Let’s see what the xenophobes and racists say about THIS^^^

HAHAHAHAHA STAAAAAAAAAHPPPPPPP!!!!!!

BOOM

I’m resigning.

well damn

goldbriccs:

theblackdalia:

rinads:

sharipep:

paulamaf2013:

needscandalinmylife:

blackstaraura:

char-thelove:

nikkisshadetree:

k-entertainment:

trebled-negrita-princess:

foreignblossom:

shots fired

OHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHHH

You better tell somebody! Shiit!!

Let’s see what the xenophobes and racists say about THIS^^^

HAHAHAHAHA STAAAAAAAAAHPPPPPPP!!!!!!

BOOM

I’m resigning.

well damn

(Source: phroyd)


49,377 notes  ()
reblogged via stopwhitepeopleforever
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gunpowderandspark:

(Source)

The Republican Party recently released an ad assuring us that, yes, there actually are Black Republicans.

A message that would have probably been more impactful if the only appearance of a Black person in their video wasn’t a stock photo they had to pay to use…


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reblogged via uhfriendlyblackhottie
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toblackgirls:

The BFI London Film Festival is nearly here! We’ve gone through the programme to find all the films starring women of colour. There are admittedly a lot more than we were expecting including Girlhood, Honeytrap and the much anticipated Dear White People.  

(left to right) 

1. Girlhood 

Céline Sciamma (Water Lilies, Tomboy) continues her exploration of the effects of social conventions on delicately forming female identities in her triumphant third film. Sixteen-year-old Marieme (Karidja Touré) must navigate not only the disruptive onset of womanhood, but also the inequalities of being black and living in the underprivileged suburbs of Paris. Excluded from school and in fear of her overbearing brother at home, Marieme escapes into the shielding environment of a girl gang. She renames herself ‘Vic’ for ‘Victory’ and gives up on asking for the things she wants and learns to just take them. Formally meticulous, the film is divided into four distinct segments in which Marieme changes her physical appearance to suit the different worlds she must navigate (school, home, street). Each transformation magnificently captures the heavy burden that visibility and image play in Marieme’s life, whilst Crystel Fournier’s stunning photography that favours a distinctive blue palette ensures that Marieme remains a defiantly vital presence on screen even while it appears she is disappearing from society’s view. The jubilant soundtrack infuses the film with vigour and passion, from the opening juddering electro-goth of Light Asylum’s ‘Dark Allies’ to a full length lip sync to Rhianna’s ‘Diamonds’. With Girlhood Sciamma flawlessly evokes the fragile resilience of youth.

2. My Friend Victoria 

Adapted from a story by Doris Lessing, My Friend Victoria is a complex, poignant portrait of two young black women in contemporary Paris. The film follows them from childhood into adulthood, with the older Fanny narrating the story of her friend and adoptive sister. Aged eight, Victoria spends a night in the home of a wealthy white family; years later, she encounters them again and her life is changed forever. As Fanny and Victoria’s destinies take them in separate directions, the drama offers a distinctly fresh take on racial identity in contemporary France – and on questions of class, privilege and blinkered liberal racism. Superbly acted by newcomers Guslagie Malanda and Nadia Moussa, along with veterans Mouchet and Greggory, My Friend Victoria sees Jean-Paul Civeyrac returning to the LFF after his poetic, elegant Young Girls in Black (2010). His follow-up is an acutely intelligent achievement by a director whose time has surely come.

3. Second Coming 

It’s a bold move to make your debut theatrical feature a modern day take on such a big theological ‘What If?’, and Debbie Tucker Green astonishes with this London-set drama, where the newest family member is neither expected nor biologically possible. Jax (Marshall) works in the welfare office, lives with tube-worker husband (Elba), and their sensitive, nature-loving son JJ who, on the cusp of manhood is constantly looking around him for cues on how to make this transition. It’s rare to see a woman on-screen who remains so taciturn in the face of inner turmoil and as Jax’s self-possession begins to frustrate her friends and family, the film ramps up the tension with Nadine Marshall’s performance creating one of the most unshakable characters in recent memory. Taking the ‘kitchen sink’ tradition of social realism to a fresh new place, it’s a film that lingers, and marks Green as an immediate new voice in British cinema.

4. Honeytrap 

Layla (Jessica Sula) is 15 and has been living in Trinidad. Returned to her estranged mother in Brixton, she is faced with settling into a new home and a new city with a fresh set of rules and codes. Unsupported by her mother and spitefully rejected by her female peers, she is drawn to the brooding Troy, who marks her as his ‘Trini princess’. When that fails, she takes solace in the friendship of Shaun, another admirer, but her desperate need for acceptance leads to a tragic betrayal of his kindness. Director Rebecca Johnson was inspired by real life cases and explores gang culture from a girl’s perspective. Moving beyond the headlines, Johnson gives us an intricately layered and rarely seen perspective – firmly located in the domain of a young girl becoming a woman in a hyper-masculine world. Sula’s performance here is flawless, perfectly capturing the agonising contradiction of Layla’s choice.

5. Appropriate Behaviour 

Shirin breaks up with Maxine, clutching only a strap-on dildo as she storms across Brooklyn. It’s hardly what polite society would deem appropriate behaviour – which is precisely what writer-director-star Desiree Akhavan sets out to challenge in her fearless feature debut. There isn’t an aspect of life that her protagonist, a twentysomething bisexual Iranian-American, can’t overcomplicate and sabotage, be it cultural, professional, sexual or emotional. Veering from desperate bed hopping to disastrous kindergarten moviemaking classes, Akhavan spares herself – and us – nothing of Shirin’s solipsistic neuroses. So it’s all the more impressive that her bracing honesty (‘You can’t keep playing the Persian card’ Maxine scolds) and deft, witty characterisations make for such engaging, empathetic company. The setting, subject and lack of inhibition virtually guarantee Lena Dunham (Girls) comparisons, but Akhavan’s ethnically and sexually specific search for identity onscreen marks out a topography and artistic voice very much her own.

6. Catch Me Daddy 

On the run from her traditional Pakistani family, 17-year-old Laila, along with her boyfriend Aaron, has fled her home for the imposing landscapes of the Yorkshire Moors. As the couple attempt to forge an anonymous existence, unbeknownst to them two groups of men are on their trail, intent on catching up with the young lovers and exacting a brutal punishment at the orders of Laila’s father. Working with famed cinematographer Robbie Ryan (Fish Tank, The Angel’s Share), who captures the vast expanses of the Pennines to stunningly ominous effect, and boasting a devastating central performance by newcomer Sameena Jabeen Ahmed, Daniel and Matthew Wolfe’s hugely impressive debut is a complex and challenging piece of work. In many ways evocative of a British social realist take on John Ford’s The Searchers, with a near-noirish sense of pessimism and bleakness, the film’s observations on family dynamics, race and class are both brutally nihilistic and poetically affecting.

7. August Winds 

The setting of this haunting debut feature from Gabriel Mascaro is a remote village on Brazil’s northeast coast. Shirley (Dandara de Morais), a young woman from the city, has moved there in order to look after her ageing grandmother. She starts dating Jeison (Geová Manoel dos Santos) and gains employment from a local farmer. Filming his actors and the landscape with an unhurried, watchful sensitivity that reflects his documentary background, Mascaro creates an atmospheric portrait of life in this remote community, in particular charting Shirley and Jeison’s heady romance with seductive sensuality. He also introduces a note of disquiet with the arrival of a researcher (played by the director himself) to record the sounds of the changing coastal winds. It also becomes apparent that the village is facing the devastating consequences of global warming. A melancholy and visually sumptuous reflection on a threatened way of life.

8.  Dear White People 

Trouble is brewing at prestigious Ivy League Winchester College. The sole black-only fraternity is to be diversified, to the disgust of firebrand campus DJ Sam White (caustic host of ‘Dear White People’). So when Sam accidentally becomes hall president and word spreads of a rival white college’s ‘African-American-themed party’, she and her fellow black students must reassess where they belong in an alleged ‘post-racial’ Obama nation. Whereas many films that tackle issues reduce their characters to mouthpieces, Justin Simien’s razor-sharp satire makes all his protagonists thrillingly nuanced and conflicted. Visually inventive (the fourth wall regularly takes a pummelling) yet controlled, it’s in the idea stakes that Simien really lets fly, nailing cultural preconceptions of all colours. Early Spike Lee comparisons – notable School Daze and Do The Right Thing – are inevitable and somewhat courted, but Simien passionately makes his own case for provocative, relevant filmmaking: we’ve gotta have it.

9. A Girl Walks Home Alone At Night 

In the deadbeat Iranian ghost town of Bad City, a lone female vampire stalks the streets at night searching for prey. One of the town’s residents is Arash, who through a series of events involving his junkie father, a prostitute and a drug-dealing pimp, encounters the enigmatic bloodsucker and an unlikely love story begins to unfold. Plot may well be secondary to the striking visual language of Ana Lily Amirpour’s arresting debut; its deliberately enigmatic narrative allowing for a superbly ambitious exercise in style and atmosphere. With its stark black and white photography, A Girl Walks Home Alone at Night is in many ways evocative of the works of Jim Jarmusch, although ironically it bears the strongest resemblance to his early masterwork Stranger than Paradise than it does his own recent vampire film Only Lovers Left Alive. But while Amirpour’s influences are clear, in her effortless blending of multiple genres and monochromatic evocation of a matriarchal underworld, her voice as a singular and exciting new talent is undeniable. If you only see one Iranian vampire western this year, make sure it’s this one.

10. Difret (TW: Rape) 

An affecting feature debut, Difret details the traumatic experience of an Ethiopian girl accused of killing a man who sexually abused her. On her way back home from school, 14-year-old Hirut (Tizita Hagere) is kidnapped by a gang of men and forced into marrying their leader Tadele. She is beaten and raped but manages to free herself, escaping with the rifle she uses to shoot her abductor. Arrested and charged with murder, local justice requires that Hirut is executed and then buried with her victim. However, on hearing about her case a courageous lawyer (Meron Getnet) decides to defend her – at great risk to her own career. Difret, which means ‘courage’ in Amharic, is a delicate yet impassioned story that offers empowerment and hope to countless women all over the world.

More films (not pictured): Beti and Amare, Self Made, War Book and Labour of Love

Tickets go on sale at 10am on Thursday 18th September. You can see the full listing (and any films we missed) as well as information about how to buy tickets on the BFI London FIlm Festival website


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fascinasians:

Asians in the Ivory Tower: Dilemmas of Racial Inequality in American Higher Education - Robert T. Teranishi
Current Issues in Asian and Pacific American Eduction - Russell Endo, clara C. Park, and John Nobuya Tsuchida
Unraveling the “Model Minority” Stereotype: Listening to Asian American Youth - Stacey J. Lee
The Deathly Embrace: Orientalism and Asian American Identity - Sheng-Mei Ma
The Hyphenated American - John C. Papajohn
Model-Minority Imperialism - Victor Bascara
Chains of Babylon: The Rise of Asia America - Daryl J. Maeda
In Defense of Asian American Studies - Sucheng Chan
Playing the Race Card - George J. Sefa Dei, Leene Luke Karumanchery, and Nisha Karumanchery-Luik
Asian American Dreams - Helen Zia


fuatino for the second book listed

fascinasians:

Asians in the Ivory Tower: Dilemmas of Racial Inequality in American Higher Education - Robert T. Teranishi

Current Issues in Asian and Pacific American Eduction - Russell Endo, clara C. Park, and John Nobuya Tsuchida

Unraveling the “Model Minority” Stereotype: Listening to Asian American Youth - Stacey J. Lee

The Deathly Embrace: Orientalism and Asian American Identity - Sheng-Mei Ma

The Hyphenated American - John C. Papajohn

Model-Minority Imperialism - Victor Bascara

Chains of Babylon: The Rise of Asia America - Daryl J. Maeda

In Defense of Asian American Studies - Sucheng Chan

Playing the Race Card - George J. Sefa Dei, Leene Luke Karumanchery, and Nisha Karumanchery-Luik

Asian American Dreams - Helen Zia

fuatino for the second book listed

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reblogged via deportallwhitepeople2k14
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mysoulhasgrowndeep-liketherivers:

thepoliticalfreakshow:

BREAKING: Here’s the tweet that could lead to a new grand jury in Ferguson, MO. 
#Ferguson: @shaunking took screenshot of tweeter @thesusannichols who claims to know juror on #MikeBrown #DarrenWilson grand jury & appears to be receiving leaked information. King says that within seconds of posting this, her friends told her to delete it & she did but not before it was screenshotted. She has since deleted her entire account but King says they checked & she is indeed a #STL resident w/ years’ worth of tweets from there. “If true, her tweet not only reveals a leak in the grand jury, but gives us an ugly glimpse into how things have gone so far. This person who posted it on twitter & her contact on the grand jury must be fully & completely investigated & removed if it’s true.”-@shaunking

Y’all better reblog the fuck outta this post it on facebook, twitter, IG, myspace, friendster, everything get this information out

mysoulhasgrowndeep-liketherivers:

thepoliticalfreakshow:

BREAKING: Here’s the tweet that could lead to a new grand jury in Ferguson, MO. 

#Ferguson@shaunking took screenshot of tweeter @thesusannichols who claims to know juror on #MikeBrown #DarrenWilson grand jury & appears to be receiving leaked information. King says that within seconds of posting this, her friends told her to delete it & she did but not before it was screenshotted. She has since deleted her entire account but King says they checked & she is indeed a #STL resident w/ years’ worth of tweets from there. “If true, her tweet not only reveals a leak in the grand jury, but gives us an ugly glimpse into how things have gone so far. This person who posted it on twitter & her contact on the grand jury must be fully & completely investigated & removed if it’s true.”-@shaunking

Y’all better reblog the fuck outta this post it on facebook, twitter, IG, myspace, friendster, everything get this information out


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infamousnfamous:

white vegans be like “honey is unethical because the bees worked so hard on it that’s why I like the completely ethical alternative of sugar harvested by underpaid and abused fieldworkers”


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